jhs pedals shop JHS Fumble Clean Boost Pedal
SKU: 31066332569
jhs pedals shop

jhs pedals shop JHS Fumble Clean Boost Pedal

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Description

jhs pedals shop JHS Fumble Clean Boost PedalThe Fumble exists because we made the biggest mistake in JHS history. In May of 2025, we released the NOTADMBL our second solderless DIY kit pedal, containing two of the most coveted sounds from the Dumble universe. The overdrive side was correct: a boutique style overdrive built around the lead tone people associate with Larry Carlton, Eric Johnson, and Robben Ford. The clean side, however, was supposed to be a reverse engineered copy of the "A Box

The Fumble exists because we made the biggest mistake in JHS history.

In May of 2025, we released the NOTADÜMBLË — our second solderless DIY kit pedal, containing two of the most coveted sounds from the Dumble universe. The overdrive side was correct: a boutique style overdrive built around the lead tone people associate with Larry Carlton, Eric Johnson, and Robben Ford. The clean side, however, was supposed to be a reverse engineered copy of the "A Box Later," a buffered effects loop device that Howard Dumble built sometime in the 1980s outside of his amplifier designs. John Mayer owns one of these obscure units and lent it to us. I replicated it, named it Box It Later, and that replica has traveled the world on John's pedalboards consistently since 2021.  I thought I put that circuit in the NOTADÜMBLË as the clean side.

I didn't.

A week after launch, while planning a Short Circuit episode video about the NOTADÜMBLË, I discovered I had used the wrong circuit. The clean side of the NOTADÜMBLË wasn’t the  “A Box Later”– it was something else entirely. Something I had also reverse engineered back in 2019 also for John, and then completely forgotten about. A separate Dumble preamp box that lived in a different archive location in our R&D storage. I had confused the two similar circuits and made a horrible mistake.

I made a video. I told everyone. We sold through the remaining  inventory, discontinued the NOTADÜMBLË V1 after our batch of 15,000 sold out, and refunded anyone who asked to return their unit.

Enter the Fumble.

WHAT THE FUMBLE ACTUALLY IS

The Fumble is a faithful production version of the other circuit I cloned for John: the Dumble BBC-1. Once the NOTADÜMBLË V1 was discontinued, customers started telling us how much they loved that circuit and how they wished it was sold separately. The Fumble is that exact circuit, now in its own compact enclosure with its own self-deprecating name, an $89 price point, and no kit to build.

Here is where the story gets stranger than fiction. While digging back through the original Dumble unit's history, we realized the BBC-1 isn't really a Dumble circuit at all. It's a JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s — the kind of small utility box that bridged piezo pickups into electric guitar amps in an era when nobody had a modern acoustic preamp. Howard cloned it. Put it in his own enclosure for a handful of local LA players. He then used the same JFET stage inside his amplifiers and called it the FET mode.

Which means the legendary Dumble FET sound — the one inside $200,000 to $400,000 amps — is a clone of a 1970s piezo preamp.

The Fumble is a clone of that clone of that clone. Three generations deep into one of the strangest chains of events in pedal history

WHAT IT DOES

The Fumble has two knobs, true bypass switching, and creates a particularly enhanced clean tone.

OUTPUT is your master volume. Turn it up for more volume.

INPUT is the one that surprises people. It is not a standard gain knob. It attenuates bass and input gain at the front of the circuit simultaneously. Fully right has no cut — consider it a bypass of the control. As you turn the knob to the left, bass and gain are gradually attenuated. Roll it down for a thinner, tighter response. Roll it up for a fuller, louder one. There is almost nothing else on the market that boosts in this way.

Use the Fumble four ways :

1. As a permanent buffer and clean boost at the front of your board. Set the output low, dial the input to taste. It tightens up everything downstream and gives you a sweetener you stop noticing because you never want to turn it off.

2. To slam the front of your overdrives. This is the secret most players miss. We default to stacking gain after gain after gain. Putting a clean JFET boost like this before a Timmy, a King of Tone, a Klon, or a Morning Glory — that's often the better second stage you've been hunting for but just didn't know it.

3. To slam the front of a dirty amp. Tweed, Plexi, anything broken up. The Fumble makes it bigger and more articulate. Roll the input back for a tighter, treble forward attack into a cranked amp.

4. As a solo boost at the end of the chain. Crank the output, set the input where it feels best, hit it for the chorus or the solo. Done.


WHO THIS IS FOR

If you bought the NOTADÜMBLË V1 and loved the clean section, this is what was actually inside it.

If you missed it, this is a beautifully simple JFET clean boost with a control set you won't find anywhere else.

If you've ever paid a lot of money for a Dumble style boost from another builder, you should know the genuine article is simple. Uncomplicated. Affordable. It was always a version of an acoustic guitar preamp from the 70's.

WHO THIS ISN'T FOR

This is not an overdrive or a high gain pedal. If you want the lead tone half of the Dumble equation, you will want the NOTADÜMBLË V2 which updates the V1 with the the proper Box It Later clean section and the overdrive channel – in a single solderless DIY kit with two footswitches, an order toggle, and an added effects loop.

THE NAME

We've had the "Fumble" name and football helmet icon rolling around internally since April 10, 2012. It was originally going to be a Dumble style overdrive in our catalog, but the Moonshine took its place years ago.  We never seriously revisited the Fumble project after then and the icon and rubber hand stamp went into a drawer for fourteen years. When all of this happened in 2025, the name was already there, waiting for the biggest fumble we had ever made as a company. Sometimes the universe hands you the punchline way in advance.

SPECS

True bypass JFET clean boost

Two controls : Input (bass and gain attenuator), Output (master volume)

9V DC center negative, 5mA

Assembled in Kansas City

THIS PEDAL MEASURES 1.96" X 3.93" X 1.21" AND CONSUMES 5mA. DO NOT USE MORE THAN 9VDC CENTER NEGATIVE. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.

 

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Exchange/Return Notes
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SKU: 31066332569

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ltwillman
Bozeman, US
★★★★★ 5
Not well known, but should be!
Two of my favorite male actors of all time creating an interesting movie, this one has it all!
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Reviewed in the United States on March 20, 2026
W
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Wayne Klein
Draper, US
★★★★★ 4
Minor classic that pits Lee Marvin and Gene Hackman in thriller.
A terrific neo noir with touches of Hitchcock, “Prime Cut” revels in the cliches of many of the genres- the criminal with the heart of gold and the sleazy underworld of the bad guys. Spoilers: Set in the Heartland, the film. Follows Nick (Lee Marvin) an enforcer hired by the Irish Mob who is send to collect from Mary Ann (Gene Hackman-really!) the owner of a meat packing planet who has a prostitution racket on the side for young and underage girls. Mary Ann had been stiffing the Mob on a debt and each enforcer has been killed and sent back in an interesting way. Nick is horrified at the prostitution ring that Mary Ann runs; they have history as well and that history plays into the animosity of both men as they fight it out Ina thrilling conclusion. Towards the end of his career as an enforcer, Nick disliked the way his world has turned out. Michael Richtie was at the beginning of his career as a director but was clearly in control as a director staging some thrilling scenes with echoes of Hitchcock’s classics “North by Northwest” and other classics. Richtie doesn’t ape Hitch so much as may the sequences work in the context of his film. The 4 K and Blu-ray look terrific from a fresh transfer of the original camera negative. There’s virtually no issues with the films. Colors are strong, detail excellent and it looks of its time without any messing about with the image. The mono audio pushes dialogue up front but there is a nice, robust feel to the rest of the mono soundtrack. The film has two commentary tracks both very good (one has to use the audio selection to hear them as I didn’t see it in the main menu for the 4K). We find out, for example, that Hackman took his second billed role because he had just finished “The French Connection” and hadn’t worked for six months. Richtie and Marvin butted heads because Richtie wanted Marvin to do a love scene with the much younger Sissy Spacek in her debut. Marvin felt uncomfortable with that because of their age difference (she was 23 and Marvin was 49). A Blu-ray (that was previously released a couple of years back) is also included. Kino has done a fine job of brining this minor classic to 4K and Blu-ray. One may feel like they need to take a shower after watching the film because of how sleazy Hackman plays an already nasty character like Mary Ann. Putting this in the heartland with all the corruption of the big city adds an element that is missing from many films like this. The corruption at heart of Mary Ann and the community he has tainted by his presence points to the rot that was growing in America at the time.
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Reviewed in the United States on September 21, 2024
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6ftalicecooper
Los Angeles, US
★★★★★ 5
RIP Gene Hackman…Holy $?#! This movie!
Prime Cut is honestly more a 3 1/2 star movie however KINO gets 5 stars for releasing a beautiful transfer of this mean & nasty 70s crime drama that’s as violent as it is weird. Hackman as the Kansas City Gangster who makes enemies into hotdogs before sending them back, draws the ire of Chicago enforcer Marvin to collect a large sum of money from Mary Ann - Hackman’s name by the way. The Blu Ray doesn’t have much but if you like sleazy, mean, & odd 70s crime thrillers, take a hefty bite of this PRIME CUT.
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Reviewed in the United States on October 6, 2025
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A. Thurston
Lowell, US
★★★★★ 3
Solid example of 70's filmmaking
I had forgotten that I had this film in a pile to "watch later" and finally did and was glad I did. This overlooked 1972 film from director Michael Richie while short on run time and story development is still a worthy viewing experience.Mr.Richie went onto a fine career doing such films as The Candidate,The Bad News Bears,Semi-Tough and a few notable comedies like Fletch and Wildcats.He also did Student Bodies which he had his named removed from so nobody's perfect.The film has a great cast it stars veteran tough guy actor Lee Marvin as Nick a mob fixer who is assigned a job to reel in a renegade hood. This hood is a guy named Mary Ann( I kid you not) and he runs a drug and white slavery ring out in rural Kansas City.Played to the cusp of over acting by Gene Hackman Mary Ann uses a meat packing/slaughterhouse plant as a front for his illegal activities.Mary Ann has a dim witted brother called Weenie(at least not Ginger to his brother Mary Ann thankfully) who acts as the muscle played by Gregory Walcott.Nick is a city slicker based out of Chicago who is quiet,mean looking and well dressed.Mary Ann is loud and obnoxious and a country boy .Mary Ann has angered the Chicago mob by stopping his payments and going rogue.He's also grounded up previous gangsters from Chi-Town who were sent to persuade him into sausages and sent them back to Chicago in bundles of meat.So Nick ,a trusted sidekick driver and 3 "green" young wannabees head from Chicago to Kansas City to see what can be done to correct the situation.What you get besides a lot of violence is the classic city versus country scenario. Slick Nick and company pop into Mary Ann's barn where various young girls are being drugged and penned like pigs or cows would be.One of the girls is played by Sissy Spacek(you might have heard of her) and another is played by 70's B movie starlet Janit Baldwin( Gator Bait,Ruby) .Nick is not amused by MA's little gambit and informs him that he's taking one of the girls as down payment for what he owes.He chooses Poppy (Spacek) a pretty little blond who along with Violet was raised in a Missouri orphanage .Said orphanage also was a front for breeding future girls to be sold as sex slaves.MA says that he'll make good on the money he owes but of course you KNOW he's not going to.Violence erupts Nick and Poppy are on the lamb and the rest of Nick's associate's are either killed or on the run as well.Nick and Poppy have a memorable scene in a wheat field where a hired hand tries to grind the two up with a giant wheat harvester .This scene is the most memorable thing in Prime Cut.You feel the fear of 2 people lost in a wheat field and a giant combine machine trying to rip them to shreds.The film has great cinematography and the colors are top notch.Something about 70's cinema and the whole style of shooting makes it stand out.As a last twist in the story Mary Ann is married to Clarabelle (Angel Tompkins) who once was involved with Nick.Will she aid Nick in bringing down her husband or stay loyal to him? This film could've used more story building and feels rushed at times.It's also the film debut of the young Sissy Spacek who's good here.She play's naive and resourceful very good here.Poppy her character reminds me of the character played by Jennifer Jason Leigh in Miami Blues. Both have that "are you kidding me" sense of naiveness that makes them endearing.Baldwin also made her debut here and is less memorable but fine for what's asked of Violet.To sum it up if you want a fine nights viewing I recommend Prime Cut.The cast is stellar ,the look awesome and the action intense.
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Reviewed in the United States on December 25, 2011
D
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Damaged by Dub
Waukegan, US
★★★★★ 5
An important restoration
These three films contain so much beauty, and so much heartache, it's hard to know where to begin. First off, if your a ciniphile, or criterion collector, it's pretty much a must to own these newly restored films. I believe the original prints where very damaged , or completely lost in a fire, so the restoration is nothing short of amazing. The films do look older then they are, but the clarity and visual beauty is not diminished here at all. The films basically follow a young boy Apu throughput his life, growing up Bengali in India , and the trials and tribulations he faces from his poor rural behinings, to his education and later move to Calcutta. On my initial viewing of these films, I thought the heartache was too much, and quite honestly put them out of my mind, but they actually never left, due to the power of them, and the vision of this fantastic director, and the talented actors. Upon reviewing them, at least 3 times each, I realize there is much beauty and hope, along with the pain..in these quite frankly incredible films.
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Reviewed in the United States on August 21, 2021

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